The Scariest Chord in Mahler’s Second

  Remembering Gilbert Kaplan Gilbert Kaplan, the American millionaire business man, publisher, amateur conductor, and Mahler scholar passed away on New Year’s Day following a battle with cancer. He was 74. In 1967, at the age of 26, Kaplan founded the inside Wall Street magazine, Institutional Investor. Around the same time, he became obsessed with the music … Read more

Das Lied von der Erde: Mahler’s Farewell

As late summer fades into fall, this seems like a good time to listen to the final movement of Gustav Mahler’s Das Lied von der Erde (“The Song of the Earth”). The text, based on ancient Chinese poetry, evokes seasonal cycles…a sense of death, separation, and resignation, followed by rebirth, loss of the ego, and ultimate immorality. … Read more

Symphonic Snapshot: Mahler’s Second

In 2011, Music Director Alan Gilbert and the New York Philharmonic marked the tenth anniversary of the September 11, 2001 terrorist attacks with a free “Concert for New York” at Avery Fisher Hall. The program featured Gustav Mahler’s Symphony No. 2 “Resurrection,” a piece which opens with an anguished funeral march and culminates in a moment of … Read more

Mahler for the First Day of Spring

Spring won’t let me stay in this house any longer! I must get out and breathe the air deeply again. -Gustav Mahler Spring seems to erupt with a raucous fervor from the first notes of Gustav Mahler’s Der Trunkene Im Früling (“The Drunken Man in Spring”). The song is part of Das Lied von der Erde (“The Song … Read more

Autumnal Mahler

Gustav Mahler’s Das Lied von der Erde (The Song of the Earth) is as much a symphony as a song cycle. It’s a seamless integration of voice and orchestra lines, as if the vocal line is just another instrument. Mahler incorporated the voice in his Second, Third, Fourth and Eighth Symphonies. Many of his songs became the … Read more

Mahler the Titan: Symphony No. 1

Gustav Mahler described the opening of the First Symphony as “Nature’s awakening from the long sleep of winter.” A seven octave deep “A” emerges out of silence, slipping into our consciousness on the level of pure sound. The high harmonics in the violins seem as natural and fundamental as the white noise of insects in a forest. The … Read more

Remembering Pierre Boulez

  The groundbreaking French composer and conductor Pierre Boulez passed away on Tuesday at his home in Baden-Baden, Germany. He was 90. Coming of age in post-war Europe, Boulez embraced a modernist zeitgeist which turned its back on the past to imagine new sounds and musical structures. Obsessed with controlled, rational order, Boulez pushed the twelve-tone techniques … Read more

Thoughts on John Williams’ New Star Wars Score

I haven’t yet had the chance to see the new Star Wars movie, The Force Awakens, or to fully experience its richly symphonic score in the theater. A film score is designed to serve its movie. The music comes to life as part of a greater whole, a Gesamtkunstwerk (“total work of art”), to use Wagner’s term. Still, I haven’t been … Read more