Contact

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Mailing Address:
Timothy Judd, violinist
2925 Sara Jean Terrace
Glen Allen, VA 23060

Phone: 585-746-3723

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Brahms’ Violin Concerto: Christian Tetzlaff, Robin Ticciati, and Deutsches Symphonie-Orchester Berlin October 9, 2024
Johannes Brahms’ Violin Concerto in D Major, Op. 77 was born out of a deep collaborative friendship. Brahms composed the monumental work during the summer of 1878, a year after completing his Second Symphony, in the southern Austrian lakeside town of Pörtschach am Wörthersee. The Concerto was dedicated to the Hungarian-born violinist, Josep […]
Bach’s Cantata, BWV 140, “Wachet auf”: Boundless Imagination October 7, 2024
J.S. Bach’s Cantata, BWV 140, Wachet auf (“Sleepers Awake”) has been called “a cantata without weakness, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and boundless imagination rouse one’s wonder time and time again.” (William G. Whittaker) German musicologist Alfred Dürr described i […]
Fauré’s Dolly Suite: Charming Portraits of Childhood October 4, 2024
The French singer, Emma Bardac (1862-1934), was the love interest, first of Gabriel Fauré, and later Claude Debussy. Between 1893 and 1896, Fauré composed a set of six whimsically titled piano duets to mark birthdays and other events in the life of Bardac’s young daughter, Régina-Hélène, who was know as “Dolly.” In 1906, conductor Henri […]
Remembering Stoyka Milanova October 2, 2024
Stoika Milanova, the renowned Bulgarian violinist and teacher, passed away on September 29 in Madrid following a long illness. She was 79. Milanova began playing the violin at age three, under the guidance of her father. She went on to study with David Oistrakh at the Moscow Conservatory. After placing second in the 1967 Queen Elisabeth Com […]
Sibelius’ “The Bard”: Aftertones of the Skald September 30, 2024
Jean Sibelius’ 1913 tone poem, The Bard, Op. 64, inhabits a mysterious, desolate, and austere landscape which is reminiscent of the Fourth Symphony, composed two years earlier. In contrast with Sibelius’ other tone poems, which often relate to the Finnish folklore of the Kalevala, the brief, enigmatic work does not outline a narrative or sc […]
Rachmaninov’s Prelude in B Minor, Op. 32, No. 10: Longing for the Return September 27, 2024
The 1887 painting, Die Heimkehr (“The Homecoming” or “The Return”), by Swiss Symbolist Arnold Böcklin (1827–1901), shows a solitary figure seated with his back to a square reflecting pool. His attention is focused on a shadowy house with a single lit window. The late autumnal landscape suggests the falling veil of mortality, greeted with a […]
Rachmaninov’s Second Symphony: The Majesty of Melody September 25, 2024
Sergei Rachmaninov’s First Symphony was nearly his last. During the work’s disastrous premiere in Saint Petersburg on March 28, 1897, the 23-year-old composer hid in a backstage fire escape with his ears plugged as an under-rehearsed orchestra, led by an inebriated and disinterested Alexander Glazunov, desecrated the score. Catcalls erupted […]

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