The Recorded Legacy of Ginette Neveu

French violinist Ginette Neveu (1919-1949)
French violinist Ginette Neveu (1919-1949)

 

Tomorrow marks the 104th anniversary of the birth of French violinist Ginette Neveu. At the time of her tragic death at the age of 30 in an airplane crash, Neveu was widely regarded as one of the finest violinists of her generation. Her playing was characterized by an almost otherworldly fire and searing intensity. Her recordings exhibit a natural perfection of phrasing and a soulfulness of sound that cut through the limitations of early phonograph technology. In his book Great Masters of the Violin, Boris Schwarz described Ginette Neveu’s playing this way:

No one who saw or heard her could forget that impression-the serious concentration, the complete immersion in her task, the burning yet controlled intensity. To speak of technique is pointless because it never served for display-it was always subordinate to a musical goal. 

Ginette Neveu was five when she began to study the violin, first with her mother and then with Jules Boucherit, George Enescu, Nadia Boulanger, and Carl Flesch. When she was seven she performed the Mendelssohn Violin Concerto in Paris with the Colonne Orchestra. At the age of fifteen she won the Henryk Wieniawski Violin Competition, beating out 180 other contestants, including David Oistrakh who was awarded the second prize. She helped to popularize the Sibelius Violin Concerto and gave the premiere of the Violin Sonata (Op. 119) by Francis Poulenc.

On October 28, 1949 she was en route to concert engagements in the United States when her Air France flight crashed into a mountain after two failed attempts to make an emergency landing at an airport on  São Miguel Island in the Azores. Her accompanist and brother, the pianist Jean-Paul Neveu, was also killed. Following her death, cellist Pablo Casals wrote,

For me her playing has always been one of the greatest revelations of the instruments and of music. To the impression of perfection, balance, and artistic taste, she added in her interpretation, fire and abandon which filled her playing with richness. 

Brahms and More

Here is Neveu’s 1948 recording of the Brahms Violin Concerto with conductor Issay Dobrowen and the Philharmonia Orchestra. Keep listening after the concerto and you’ll hear a collection of shorter pieces: Suk’s Four Pieces, Op. 17 (at 38:16), Chopin’s Nocturne No. 20 (at 54:22), Ravel’s Tzigane (at 58:40), Falla’s Danse espagnole (at 1:08:54), and the showpiece Hora staccato by Romanian virtuoso violinist Grigoraş Dinicu (at 1:12:20).

Sibelius Violin Concerto

Here is the final movement of the Sibelius Violin Concerto with conductor Walter Susskind and the Philharmonia Orchestra. (You can listen to the first two movements here). The tempo is slightly slower than we often hear, but every note can be heard and there is a powerful sense of a Nordic dance taking flight:

Strauss Violin Sonata

Here is Richard Strauss’ Violin Sonata in E-flat, Op. 18, a soaring, Romantic work by a composer we usually associate with large-scale orchestral tone poems:

New Release: Frédéric Bednarz Plays Franck, Lekeu, Boulanger

51Jfdl4g7YL._SS280Canadian violinist Frédéric Bednarz and pianist Natsuki Hiratsuka have released an exciting new recording of French violin music. The centerpiece of the recording is César Franck’s famous Sonata in A Major for Violin and Piano. This is a beautifully colorful and passionate performance with a seamless and cohesive sense of ensemble between violin and piano.

The seldom heard music of Belgian composer Guillaume Lekeu (1870-1894) opens the CD. Lekeu’s G major Violin Sonata was commissioned by Eugène Ysaÿe and first performed in 1893. There are echoes of Franck in the music. (César Lekeu studied counterpoint and fugue with Franck). Guillaume Lekeu died tragically at the age of 24 after contracting typhoid fever.

Rounding out the recording is Lili Boulanger’s brief but extraordinary Nocturne for Violin and Piano, written in 1911. Hazy and impressionistic, the music ends with a passing quote of Debussy’s Prelude to the Afternoon of a Faune. Lili was the younger sister of the influential composition teacher Nadia Boulanger.

Listen to the full recording here.