Once in a while I accidentally run across a great old recording which makes me stop and listen. While I love new releases, these old recordings offer a captivating snapshot of a unique time, place and style of playing. Recently I had this experience with an exciting compilation of George Gershwin works, which a young Michael Tilson Thomas (popularly known in hip circles as “MTT”) released in the mid-1970’s.
The recording features the original jazz band version of Rhapsody in Blue, orchestrated by Ferde Grofé for Paul Whiteman’s band. The Columbia Jazz Band accompanies George Gershwin’s 1925 piano roll. The other big piece is An American in Paris played by the New York Philharmonic. Promenade (Walking The Dog) with the Los Angeles Philharmonic is a bonus track.
But the real heart of the recording is six of Gershwin’s broadway overtures, performed by the Buffalo Philharmonic: Oh Kay!, Funny Face, Girl Crazy, Strike Up the Band, Of Thee I Sing, and Let ‘Em Eat Cake. Michael Tilson Thomas was music director of the Buffalo Philharmonic from 1971 to 1979.
Here is the Overture to Of Thee I Sing, a 1931 political satire with a book by George S. Kaufman and Morrie Ryskind and lyrics by Ira Gershwin. As in most Gershwin, the music captures a brash, young, slightly innocent “American” sound. The Buffalo Philharmonic strings shimmer with lush, perfectly blended depth.
The best broadway overtures offer a contrast of tempo, rhythmic feel and mood as they showcase the show’s melodies, ending on an emotional high. In the clip below, this climax comes at 3:39. Listen to the rich weave of the inner voices in the strings and the soaring music which follows. There’s a little something extra here, which I suspect could not be duplicated easily today. It’s incredibly soulful playing. If you’re looking for a great, comprehensive Gershwin CD, this rare gem is well worth your money.
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