Remembering David Nadien

David Nadien
David Nadien

American violinist David Nadien passed away last week at the age of 88. A student of Ivan Galamian, Adolfo Betti and Adolf Busch, Nadien first soloed with the New York Philharmonic at the age of 14. Between 1966 and 1970 he served as concertmaster of the New York Philharmonic under Leonard Bernstein. You can hear him play the “Pas de deux” violin solo from Tchaikovsky`s Swan Lake here

For years Nadien taught at the Mannes College of Music and performed as a top freelance studio musician in New York. His immaculately clean, Romantic style of playing, suggestive of violinists from Elman to Milstein, was an inspiration to a younger generation of musicians. The Suzuki violin repertoire, books 1-10, are among his diverse recording credits. Notable recordings include the Franck Sonata and Tchaikovsky Concerto as well as showpieces such as Sarasate’s Habañera, Weiniawski’s Scherzo Tarentelle and Massenet’s Meditation from Thais

Here is his recording of Sarasate’s Introduction and Tarantella:

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Four Points of Relaxation for Violin Playing

relaxationRelaxation is the key to all technique. Often when we’re on the spot trying to perform our best, the natural tendency is to tense up. The “fight or flight” instinct is activated. In violin playing, tension blocks the natural springy weight of the bow arm, leading to smaller tone and reduced control. Tension in the left hand causes fingers to push into the fingerboard and then lift too high, leading to loss of speed, accuracy and efficiency. There is also the danger of playing-related injury.

Often tension develops needlessly because we don’t take the time to establish the correct physical feeling and posture. During your next practice session, try placing the bow on the string, setting up good left hand posture and then isolate the following four areas for relaxation:

  • right shoulder
  • right elbow
  • right hand and wrist
  • knuckles of the left hand

Focus on each area individually for a few seconds and then play. If you feel tension creeping back in, shake out your arms and hands and go through the process again. Over time, the roadblock of tension will be removed, leading to more efficient playing.

[quote]The key to facility and accuracy and, ultimately, to complete mastery of violin technique is to be found in the relationship of mind to muscles, that is, in the ability to make the sequence of mental command and physical response as quick and as precise as possible.[/quote]

-Ivan Galamian