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Latest Listeners’ Club Posts

Remembering Helmuth Rilling February 13, 2026

Helmuth Rilling, an acclaimed German choral conductor and influential interpreter of Bach, passed away last Wednesday, February 11. He was 92. Rilling founded numerous ensembles including the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), and the Internationale Bachakademie Stuttgart (1981). […]

Debussy’s “Hommage á Rameau”: A Dreamy Remembrance of the Baroque Sarabande February 11, 2026

For Claude Debussy, the ghost of French Baroque composer Jean-Philippe Rameau (1683–1764) loomed large. An innovative composer of opera and harpsichord music, Rameau’s influential 1722 Treatise on Harmony earned him the nickname, the “Isaac Newton of Music.” In 1903, Rameau’s 1737 opera, Castor et Pollux, was performed in Paris. Debussy, in […]

Rameau’s “Zaïs” Overture: Creation Develops out of Chaos February 9, 2026

Creation develops out of primordial chaos in the Overture to the 1748 opera, Zaïs, by French Baroque composer Jean-Philippe Rameau (1683–1764). The shocking and innovative music predates Haydn’s similar depiction in the opening of his oratorio, The Creation, by half a century. The Zaïs Overture begins with muted drumbeats, followed by detac […]

Handel’s Minuet in G, HWV 434/4: Alexander Malofeev February 6, 2026

Handel’s haunting and melancholy Minuet in G, HWV 434/4 is a frequent encore of Russian pianist Alexander Malofeev. Following a virtuosic tour de force such as Tchaikovsky’s First Piano Concerto, the simple, sensuous melodic lines of the Minuet pull listeners into a magical space. This music originated as the fourth movement of Handel’s Key […]

Remembering Ken Peplowski February 4, 2026

Ken Peplowski, an acclaimed American jazz clarinetist and saxophonist, passed away suddenly last Monday, February 3. He was 66. Jazz critic Russell Davies called Peplowski “arguably the greatest living jazz clarinetist.” In his youth, he performed in the final iteration of the Benny Goodman Orchestra. As a soloist, he explored a range of ja […]

Philip Glass’s String Quartet No. 2, “Company”: Brooklyn Rider February 2, 2026

In Samuel Beckett’s 1979 novella, Company, a man lies on his back in the dark and listens to a Voice. According to Thomas J. Taylor, The central narrative revolves around the complex relationship between the voice, the listener, and the elusive “another,” highlighting the ambiguity of identity and presence. As the anecdotes unfold, they rev […]

Sibelius’ “The Origin of Fire”: A Cantata Based on Finnish Mythology January 30, 2026

The Kalevala, the national epic poem of Finland, contains a myth with overtones of Prometheus. Ukko, the life-sustaining god of thunder, weather, and fertile fields, recreates fire after Louhi, the goddess of death and disease, steals it, along with the sun and moon. The story is the subject of Jean Sibelius’ 1902 cantata, The Origin of Fir […]