Skip to content
Timothy Judd, Suzuki Violin Lessons
Timothy Judd, Suzuki Violin Lessons
  • Lessons
  • Performance Photos
  • Bio
  • The Listeners’ Club
  • Links
  • Media
  • Contact
  • Lesson Payments

Learn about Timothy Judd's violin studio in Richmond, Virginia

Studio Snapshots: A portfolio of Suzuki violin in Richmond

Join the Listeners' Club!

Chamber Music for All Occasions

Registration has been disabled.

Latest Listeners’ Club Posts

  • Remembering Charles Strouse May 19, 2025
    Charles Strouse, the American composer of such Broadway musicals as Bye Bye Birdie (1960), Applause (1970), and Annie (1977), passed away last Thursday, May 15, at his home in Manhattan. He was 96. A graduate of the Eastman School of Music, Strouse studied composition with Arthur Berger, David Diamond, Aaron Copland, and Nadia Boulanger. It […]
  • Prokofiev’s Waltz Suite: A Magical Potpourri in Triple Meter May 16, 2025
    Sergei Prokofiev’s Waltz Suite, Op. 110 for orchestra is a magical musical potpourri. Composed and compiled in 1946 in the wake of the Soviet Union’s victory over Nazi Germany in the Great Patriotic War, it is a collection of six waltz excerpts from three of Prokofiev’s dramatic works. At times, the music is hauntingly atmospheric. It is fi […]
  • Berlioz’ “Béatrice et Bénédict”: Four Excerpts from the Comic Opera May 14, 2025
    Beatrice and Benedict, the principal characters of Hector Berlioz’s 1862 comic opera of the same name, quarrel, hurl taunts and insults at one other, and then fall in love. Berlioz described the two-act opera, based on Shakespeare’s Much Ado About Nothing, as “a caprice written with the point of a needle.” It was his final completed work. B […]
  • Bach’s Prelude and Fugue in A Minor, BWV 543: “The Great” May 12, 2025
    It was during his youthful tenure in Weimar (1708-1713) that J.S. Bach composed the “Great” Prelude and Fugue in A minor, BWV 543. Only a few years earlier, the 20-year-old Bach walked north 200 miles to Lübeck to hear the celebrated organist, Dieterich Buxtehude, and “to comprehend one thing and another about his art.” The influence of Bux […]
  • Schubert’s “Die Götter Griechenlands” (“The Gods of Greece”): A Song of Alienation May 9, 2025
    Friedrich Schiller’s 1788 poem, Die Götter Griechenlands (“The Gods of Greece”), is filled with nostalgia and longing for the long-vanished world of Greek antiquity. Rebelling against mechanical philosophy, it idealizes man’s harmonious interaction with the Greek gods and nature. Schubert’s 1819 song, Die Götter Griechenlands, D. 677 sets o […]
  • Schubert’s Octet: A Journey to the Magic Land of Song May 7, 2025
    Although they lived in Vienna as contemporaries, it is unclear if Schubert and Beethoven ever met. The two composers shared a mutual respect, but in many ways they were polar opposites. While Beethoven dazzled audiences as a revolutionary giant of the symphony, during his lifetime, Schubert was known almost exclusively for his songs. Publis […]
  • Bach’s Fantasia and Fugue in A Minor, BWV 944: Warmup and Herculean Feat May 5, 2025
    Composed in Weimar, circa 1713, J.S. Bach’s Fantasia and Fugue in A minor, BWV 944 amounts to a warmup, followed by a herculean feat of athleticism. The warmup, for our ears, the players fingers, and the instrument alike, comes with the brief ten-bar Fantasia. Bach notated this opening as chords, with the instruction, “arpeggio.” The player […]
© 2025 Timothy Judd. All rights reserved.
  • Lessons
  • Performance Photos
  • Bio
  • The Listeners’ Club
  • Links
  • Media
  • Contact
  • Lesson Payments