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Latest Listeners’ Club Posts

Bartók’s Violin Sonata No. 1: Ancient Folk Influences and Strange New Sounds January 21, 2026

Describing Béla Bartók’s Violin Sonata No. 1, Sz. 75, violinist Patricia Kopatchinskaja notes The power in the first movement, the loneliness of the violin melody and the states of panic in the second; the almost grotesquely joyful and folk-like character of the third — it’s a special joy if you can play it with pleasure and without stress, […]

“Sweet, Sweet Spirit”: Doris Akers January 19, 2026

It has been said that American gospel composer Doris Akers (1923-1995) provided the soundtrack for the civil rights movement. Born in Missouri as the eighth of ten children, Akers moved to Los Angeles at the age of 22. Here she published her first song while performing with the Sallie Martin Singers. In 1957, Akers was invited to direct the […]

Mendelssohn’s “Athalie” Overture: Triumph Over a Villainous Queen January 16, 2026

A notorious villain of the Hebrew Bible, the Baal-worshiping Athalia usurped the throne of Judah, attempted to kill all royal heirs, and ruled as Queen for six years (c. 841–835 BC) before being overthrown. The dramatic story is the subject of Jean Racine’s 1691 play, as well as Handel’s 1733 oratorio. King Frederick William IV of Prussia c […]

Martinů’s Three Madrigals for Violin and Viola: Bohemian Renaissance January 14, 2026

Bohuslav Martinů (1890-1959) was born in the tower of St. Jakub Church in the small Bohemian town of Polička. He was a notoriously bad student at the Prague Conservatory, where he studied violin but was more interested in composing. Briefly, he was a member of the second violin section of the Czech Philharmonic. In 1923, he moved to Paris, […]

Vaughan Williams’ “Household Music” (Three Preludes on Welsh Hymn Tunes): Music for the Waiting Hours of War January 12, 2026

The Blitz, a bombing campaign conducted by the Nazi German Luftwaffe against the United Kingdom, began in September of 1940 and lasted eight months. Its climax brought a firestorm which became known as the Second Great Fire of London. It was during this dark period, when professional concerts were in limited supply, that Ralph Vaughan Willi […]

Rachmaninov’s Elegie, Op. 3, No. 1: Gary Graffman January 9, 2026

Sergei Rachmaninov was 19 when, in 1892, he composed his set of five solo piano Morceaux de fantasie (“Pieces of fantasy”). The collection was dedicated to Anton Arensky, Rachmaninov’s harmony teacher at the Moscow Conservatory. It includes the famous Prelude in C-sharp minor, with its allusion to the Bells of Moscow. Shortly after publicat […]

Prokofiev’s Russian Overture: A Joyous Homecoming January 7, 2026

Even as Stalin’s purges intensified, a homesick Sergei Prokofiev returned permanently to the USSR in 1936. In 1918, he fled Russia, living in the United States and then in Paris. He was lured back with promises of artistic freedom and the ability to travel abroad, both of which ultimately were restricted by Soviet authorities. Composed in 1 […]