Timothy Judd, Suzuki Violin Lessons

Latest Listeners’ Club Posts

Vaughan Williams’ “The Wasps” Overture: Raising the Curtain on Stinging Satire April 16, 2021

In 1909, the Cambridge Greek Play committee invited Ralph Vaughan Williams to compose incidental music for a production of Aristophanes’ comic satire, The Wasps. The play, first produced in 422 B.C., is a caustic commentary on the Athenian judiciary system. Vaughan Williams’ music, later arranged in a suite, includes the witty March Past of […]

Three English Phantasies: Music of Vaughan Williams, Purcell, and Britten April 14, 2021

The fantasia is a genre which spans more than four hundred years of English music. It flowered in the Renaissance and Baroque periods, with the viol consort music of composers such as William Byrd, John Jenkins, and Henry Purcell. Emerging from the word fancy, these compositions are free in form and feature an intricate, polyphonic dialogue […]

Weber’s “Oberon”: The Romantic Orchestra Springs to Life April 12, 2021

Oberon, the final opera of Carl Maria von Weber (1786-1826), was premiered at London’s Covent Garden on this date in 1826. The three act opera, set in English with spoken dialogue, was described as “one of the most remarkable combinations of fantasy and technical skill in modern music.” Based on a thirteenth century French epic poem by Huon […]

Debussy’s “Brouillards”: A Journey into Pantonality April 9, 2021

On Wednesday, we explored Richard Strauss’ Also sprach Zarathustra, a piece which ends, unresolved, in two radically unrelated keys (C and B). When the brash, outspoken Claude Debussy heard another Strauss tone poem, Till Eulenspiegel, he compared it to “an hour of original music in a lunatic asylum.” Yet, in the early years of the twentiet […]

Strauss’ “Also Sprach Zarathustra”: At the Intersection of Nature and Man April 7, 2021

In his novel, Thus Spoke Zarathustra, the nineteenth century German philosopher Friedrich Nietzsche challenged fundamental ideas about religion, science, and the individual. Set in four parts, the allegory includes the famously provocative statement, “God is dead,” and puts forth the concept of “will to power,” suggesting that power and asp […]

Josef Hassid: Three Historic Recordings April 5, 2021

A fiddler like Heifetz is born every 100 years; one like Hassid every 200 years. So said the great violinist, Fritz Kreisler, after attending an impromptu concert at the home of the noted Hungarian pedagogue, Carl Flesch. The “fiddler” was the Polish teenage virtuoso, Josef Hassid (1923-1950). Kreisler was so impressed with Hassid’s playing […]

Haydn’s “The Seven Last Words of Christ”: Meditations on a Sacred Text April 2, 2021

In 1786, Franz Joseph Haydn received an unusual commission from a Spanish priest. It was for an orchestral work to be performed for the Good Friday service at the Oratorio de la Santa Cueva, an underground church in the city of Cádiz. Haydn was asked to compose a series of slow, meditative “sonatas,” each relating to one of the seven last w […]