Timothy Judd, Suzuki Violin Lessons

Violin Lessons in Richmond, Virginia
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Latest Listeners’ Club Posts

Liszt’s “Nuages Gris”: A Haunting, Atmospheric Soundscape October 28, 2020

Franz Liszt’s Nuages gris (“Grey Clouds”) sounds as if it could have been composed for the film score of a psychological thriller. In fact, the brief, haunting work for solo piano was featured in a chilling morgue scene in Stanley Kubrick’s 1999 mystery drama, Eyes Wide Shut. It’s hard to believe that Nuages gris was written in 1881. The p […]

Strauss’ “Death and Transfiguration”: “From the Infinite Reaches of Heaven” October 26, 2020

Richard Strauss’ tone poem, Tod und Verklärung, Op. 24 (“Death and Transfiguration”) grapples with the most fundamental questions of the human experience. What is the nature of life? What lies on the other side of death? What happens in that serene moment of ultimate repose as the soul melts into “the infinite reaches of heaven?” Ironically […]

Palestrina’s Magnificat primi toni, Voces8 October 23, 2020

Before the rich counterpoint of J.S. Bach, there was the seamless, contrapuntal polyphony of the Italian Renaissance composer, Giovanni Pierluigi da Palestrina (c.1525-1594). The sacred music of Palestrina greatly influenced Bach and the composers who followed. Bach studied and hand-copied Palestrina’s first book of Masses and adapted parts […]

Shostakovich’s Violin Sonata: Oistrakh and Richter in 1969 October 21, 2020

Dmitri Shostakovich’s Violin Sonata, Op. 134 was completed in the autumn of 1968. The title page bears the inscription, “For the 60th birthday of David Oistrakh.” Shostakovich had attempted to commemorate the great Ukrainian violinist’s 60th birthday a year too early with the Second Violin Concerto. Oistrakh explained, Dmitri had been wanti […]

Berlioz’ “Benvenuto Cellini” Overture: The Romantic Artist as Hero October 19, 2020

The opening bars of Hector Berlioz’ Benvenuto Cellini Overture spring to life with all of the high-flying passion, exuberance, and boundless heroism of the idealized Romantic artist. Filled with wild euphoria and mercurial twists and turns, this initial theme encapsulates the spirit of the protagonist of the opera which follows. Berlioz’ il […]

Ravel’s “Le Tombeau de Couperin” in Two Shades October 16, 2020

We explored Maurice Ravel’s magical 1917 suite, Le Tombeau de Couperin, in a previous post. Composed in the aftermath of the First World War, it is music that retreats into the graceful motion and elegance of Baroque dances such as the Forlane, Menuet, and Rigaudon. It pays homage to the keyboard suites of the French Baroque composer, Franç […]

Takemitsu’s “A String Around Autumn”: Entering an Imaginary Landscape October 14, 2020

Alex Ross once used the phrase “intense repose” to describe the music of the twentieth century Japanese composer, Tōru Takemitsu (1930-1996). At the heart of Takemitsu’s music is the traditional Japanese concept of Ma, literally “negative space,” or “powerful silence” as the composer defined it. As with water droplets at the crest of an oce […]

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