Timothy Judd, Suzuki Violin Lessons

Violin Lessons in Richmond, Virginia
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Latest Listeners’ Club Posts

Bach’s Sonata for Violin and Continuo in E Minor, Rachel Podger September 21, 2020

Sparks fly in the exhilarating Preludio which opens J.S. Bach’s Violin Sonata in E minor, BWV 1023. The solo violin unleashes a bold and virtuosic toccata over a mighty E pedal tone in the continuo bass. In many of Bach’s other sonatas, the violin enters into a supporting role with the harpsichord. Here, amid a torrent of bariolage (the alt […]

“Try to Remember”: The Autumnal Opening of “The Fantasticks” September 18, 2020

The world’s longest-running musical ran for 42 years and 17,162 performances, blocks away from the bright lights and glitter of Broadway’s Great White Way. The Fantasticks opened at the intimate Sullivan Street Playhouse in New York’s Greenwich Village on May 3, 1960. For the original production, $900 were spent on the set and $541 were spe […]

Bruckner’s Third Symphony: Vindicated by Time September 16, 2020

The premiere of Anton Bruckner’s Symphony No. 3 in D minor stands as one of music history’s most infamous disasters. The performance took place in Vienna on December 16, 1877. It was to have been conducted by Johann Herbeck, an Austrian maestro who had led the posthumous premiere of Schubert’s “Unfinished” Symphony in 1865. But Herbeck died […]

Mendelssohn’s Fourth String Quartet: The Passion and Lament of E Minor September 14, 2020

The key of E minor seems to have had special significance for Felix Mendelssohn. It opened the door to music filled with quiet anxiety, mystery, and haunting pathos. For example, consider the turbulent, windswept Romanticism of Mendelssohn’s song without words, the Albumblatt In E Minor, Op.117. Here, the pervasive melancholy of E minor is […]

“Le Secret”: Fauré’s Mystical Art Song September 11, 2020

Throughout Gabriel Fauré’s 1879 song, Le Secret, serene, hypnotically repeating chords in the piano toll like an immortal bell. We drift into a detached dreamscape which seems to anticipate the final, time-altering movement of Olivier Messiaen’s Quartet for the End of Time. The song’s text is a setting of Paul-Armand Silvestre’s poem, Myst […]

Beethoven’s “Namensfeier” Overture: The First “Ode to Joy” September 9, 2020

The story of Beethoven’s slow, painstaking compositional process is told in long, tortured, sketch-filled notebooks. In his lecture, How a Great Symphony Was Written, Leonard Bernstein notes that the melody which opens the Andante con moto of Beethoven’s Fifth Symphony went through fourteen versions over the course of eight years. Bernstein […]

Gershwin’s “Nice Work If You Can Get It,” Art Tatum in 1949 September 7, 2020

Holding hands at midnight ‘Neath a starry sky Nice work if you can get it And you can get it if you try Ira Gershwin’s famous lyric is not about work in the occupational sense. The song’s verse rejects “the man who only lives for making money” and who “works for fame.” Instead, it is the more spiritually informed work of building a loving r […]

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