Skip to content
Timothy Judd, Suzuki Violin Lessons
Timothy Judd, Suzuki Violin Lessons
  • Lessons
  • Performance Photos
  • Bio
  • The Listeners’ Club
  • Links
  • Media
  • Contact
  • Lesson Payments

Learn about Timothy Judd's violin studio in Richmond, Virginia

Studio Snapshots: A portfolio of Suzuki violin in Richmond

Join the Listeners' Club!

Chamber Music for All Occasions

Registration has been disabled.

Latest Listeners’ Club Posts

  • Andy Akiho’s Timpani Concerto: Leonardo Soto, Juraj Valčuha and the Houston Symphony  July 17, 2026
    In March, the Houston Symphony premiered an exiting new Timpani Concerto by American composer Andy Akiho (b. 1979). The performance, led by Music Director Juraj Valčuha, featured the Orchestra’s Principal Timpanist, Leonardo Soto. The Concerto was co-commissioned by the Houston Symphony, the Minnesota Orchestra, and the Brevard Music Festiv […]
  • Saint-Saëns’ “The Carnival of the Animals”: The Kanneh-Masons and Friends July 15, 2026
    In February of 1886, Camille Saint-Saëns set aside work on his Third Symphony to write The Carnival of the Animals. Saint-Saëns considered it an act of compositional frivolity for a purely private audience. He prohibited public performances of the work during his lifetime out of fear that  it would damage his reputation as a serious compose […]
  • Franck’s Choral No. 3 in A Minor: An Epic Farewell July 13, 2026
    The mighty Choral No. 3 in A minor for organ was the final work of César Franck. Composed in 1890, it is an epic farewell. Filled with chromaticism and moments of haunting dissonance, its progressive harmony pushes at the boundaries of tonality. The symphonic scale of the music, with its array of tonal colors, was influenced by the magnific […]
  • Prokofiev’s Symphony No. 1 in D Major, “Classical”: Musical Time Travel July 10, 2026
    If Haydn had traveled 100 years into the future, what kind of music might he have written? The 25-year-old Sergei Prokofiev provided a compelling answer with his Symphony No. 1 in D Major, Op. 25, widely known as the “Classical” Symphony. Filled with grace, elegance, exuberance, and humor, it is compact music, scored for the pared-down clas […]
  • Ingram Marshall’s “Authentic Presence”: Timo Andres July 8, 2026
    In search of what he called “the dark and the beautiful and the endless,” American composer Ingram Marshall (1942-2022) blended electronic and acoustic elements to create awe-inspiring soundscapes. The Listeners’ Club archive includes Marshall’s atmospheric Fog Tropes (1982) and Wanderer’s Night Song (1992). Timo Andres made this impromptu […]
  • John Adams’ “Harmonielehre”: David Robertson and the Frankfurt Radio Symphony July 6, 2026
    American conductor David Robertson, who served as music director of the St. Louis Symphony Orchestra from 2005 to 2018, is regarded as one of the foremost interpreters of the music of John Adams. He describes Adams’ music in cinematic terms: The main thing that you find in every single one of his pieces is that it is a journey through a lan […]
  • Dudley Buck’s Concert Variations on “The Star-Spangled Banner”: A Triumphant Showpiece for Organ July 3, 2026
    In 1814, after witnessing the British bombardment of Fort McHenry in Baltimore Harbor, Francis Scott Key penned the famous words that would become the American National Anthem. At the end of the battle, the 15 stars and stripes of the young nation’s flag continued to fly defiantly above the Fort, forming the poem’s defining image. Composed […]
© 2026 Timothy Judd. All rights reserved.
  • Lessons
  • Performance Photos
  • Bio
  • The Listeners’ Club
  • Links
  • Media
  • Contact
  • Lesson Payments