Drew McManus – Timothy Judd, Suzuki Violin Lessons

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Liszt’s “La Chapelle de Guillaume Tell” from “Années de Pèlerinage”: Horn Calls and Heroism September 16, 2024

During the 1830s, Franz Liszt embraced the romantic life of the medieval Troubadours. While in a relationship with the Countess Marie d’Agoult, Liszt wandered throughout the countryside of Switzerland and Italy, where he visited “places consecrated by history and poetry,” and found the “phenomena of nature” to be deeply stirring. These trav […]

Perlman Plays Morricone: The Love Theme from “Cinema Paradiso” September 13, 2024

Itzhak Perlman joins the Richmond Symphony this weekend. The program includes music from Perlman’s Cinema Serenade albums, both of which feature solo violin adaptations of classic film music. The first Cinema Serenade volume, released in 1996, concludes with the love theme from the 1988 coming-of-age drama, Cinema Paradiso. The film was sco […]

David Diamond’s Music for Shakespeare’s “Romeo and Juliet”: Atmospheric Vignettes September 11, 2024

The music of American composer David Diamond (1915-2005) is distinct and recognizable. Built on tonal and modal harmony and wide open voicing, often it develops through fleeting motivic fragments which combine to form a landscape as expansive and majestic as the American frontier. Although a longtime member of the faculty of the Juilliard S […]

Handel’s “Stille Amare”: The “Poison” Aria from “Tolomeo” September 9, 2024

Handel’s opera, Tolomeo, HWV 25, was first performed at the King’s Theatre in London on April 30, 1728, and featured a spectacular and renowned cast, which the composer imported from Italy. Set in 108 BC, its plot is ripe for high drama: The story of Tolomeo is set in Ancient Egypt and follows Tolomeo, the son of a deposed king, who is forc […]

Haydn’s Trumpet Concerto in E-flat Major: A Thrilling Technical Experiment September 6, 2024

When Franz Joseph Haydn composed his Trumpet Concerto in E-flat Major in 1796, he was at the forefront of a thrilling new technical experiment. Traditionally, the valveless natural trumpet was limited to the pitches of the overtone series. In the lower register, these pitches amounted to bugle call notes. In classical symphonies, trumpets w […]

Haydn’s “Mass in Time of War”: Martial Fanfares and Thundering Timpani September 4, 2024

A revolutionary current runs through Franz Joseph Haydn’s Mass in Time of War (Mass No. 10 in C Major). It approaches the liturgy with a new sense of tumultuous drama, with military fanfares ringing out in the closing movement. The rumbling artillery of its timpani rolls earned the work the nickname, Paukenmesse (“Kettledrum Mass”). In a wa […]

Ives’ “The Gong on the Hook and Ladder” (“Firemen’s Parade on Main Street”): An Experiment in Rhythm September 2, 2024

Born in Danbury, Connecticut in 1874, Charles Ives conceived of a brash, previously unimaginable kind of 20th century music. He experimented with collages of sound and rhythm in brief chamber music fragments which he called “sets” or “cartoons.” One such experimental work is The Gong on the Hook and Ladder, or Firemen’s Parade on Main Stree […]