Timothy Judd, Suzuki Violin Lessons – Suzuki Violin Lessons in Richmond, VA and more…

Latest Listeners’ Club Posts

Samuel Barber’s “Let Down the Bars, O Death”: Conspirare January 27, 2023

It was during the summer of 1936 that Samuel Barber composed the String Quartet that would give rise to the iconic Adagio for Strings. During the same summer, Barber created an a cappella choral setting of Emily Dickinson’s 1891 poem, Let Down the Bars, O Death. It unfolds as a somber, homophonic chorale. As with the Adagio, it reaches upwa […]

Janáček’s “In the Mists”: Four Coloristic Pieces for Solo Piano January 25, 2023

In the Mists is a cycle of four solo piano pieces, written in 1912 by the Czech composer, Leoš Janáček (1854-1928). The pieces are intimate, fleeting, and tinged with melancholy. Vivid impressionistic colors blend with elements of Moravian folk music. They reveal psychological “mists,” perhaps of a composer who suffered the tragic death of […]

Mendelssohn’s “Scottish” Third Symphony: Landscapes and Ruins January 23, 2023

In July of 1829, during his first trip to Britain, the 20-year-old Felix Mendelssohn embarked on a walking tour of Scotland with his friend, Karl Klingemann. After visiting the ruined abbey at Holyrood Palace in Edinburgh, Mendelssohn wrote in a letter to his family, In the deep twilight we went today to the palace where Queen Mary lived an […]

David Diamond’s “Rounds for String Orchestra”: Freedom and Adventure January 20, 2023

In 1944, the American composer David Diamond (1915-2005) received a commission from Dimitri Mitropoulos with a simple and specific instruction. “These are distressing times,” he wrote. “Most of the difficult music I play is distressing. Make me happy.” Mitropoulos, then principal conductor of the Minneapolis Symphony Orchestra, had become d […]

Samuel Barber’s Piano Concerto: Straddling the Tonal Precipice January 18, 2023

Samuel Barber’s Piano Concerto, Op. 38 is lushly cinematic. It is an exhilarating drama between two dueling titans—the brazen, summit-scaling solo piano and the twentieth century orchestra, with its vast sonic power. The Concerto’s expansive Neo-Romantic lines straddle the precipice between tonality and serialism. The music never loses its […]

“I Stood on De Ribber Ob Jerdon”: Marian Anderson January 16, 2023

During a career which spanned forty years, the American contralto Marian Anderson (1897-1993) performed at major concert venues which included the Metropolitan Opera. Her repertoire included opera, lieder, and African American spirituals. In 1939, when segregation prevented her from singing at Constitution Hall in Washington D.C., Anderson […]

Puccini’s Preludio Sinfonico: A New Voice Emerges January 13, 2023

At the end of the academic year of 1882, the young Giacomo Puccini submitted the Preludio Sinfonico for his final examination at the Milan Conservatory. The brief orchestral fantasy unfolds in a single movement (Andante mosso). The influence of Wagner’s Lohengrin can be heard in the shimmering colors of its orchestration and its adventurous […]