Studio Recital: June, 2013

Samuel Barber’s Nocturne, Op. 33: Aftertones of Chopin January 21, 2022
Samuel Barber gave his Nocturne, Op. 33 for solo piano the subtitle, “Homage to John Field.” Field (1782-1837) was the Irish pianist and composer who is credited with inventing the nocturne. Barber’s piece, written in 1959, is as much a dreamy reflection on the Romantic nocturne itself, with all of its atmospheric allusions to the poetry of […]
Clara Andrada de la Calle Plays Ibert January 19, 2022
The twentieth century French composer, Jacques Ibert (1890-1962), did not adhere to a single stylistic “school.” Instead, famously he declared that “all systems are valid so long as one derives music from them.” Ibert’s Flute Concerto, written in 1932 for Marcel Moyse, is filled with sparkling, effervescent humor and a jazzy, midcentury Par […]
Schumann’s Piano Trio No. 1 in D Minor, Op. 63: Passionate Romantic Currents January 17, 2022
From the opening bars of Robert Schumann’s Piano Trio No. 1, we are swept into a drama filled with soaring passion and turbulence. An expansive and restless melody emerges in the violin’s darkest register. It rises and falls, propelled by swift, ever-changing arpeggiating currents in the piano. Downbeats and phrase endings vanish amid swirl […]
Vaughan Williams’ “Sinfonia Antartica”: From Film Score to Symphony January 14, 2022
In a 1944 essay titled Film Music, Ralph Vaughan Williams wrote, “I still believe that the film contains potentialities for the combination of all the arts such as Wagner never dreamt of.” Beginning in 1940, Vaughan Williams composed scores for eleven films. Among these was the 1948 Technicolor adventure film, Scott of the Antarctic, which […]
Stravinsky’s Septet: A Turn to Serialism January 12, 2022
The Septet, completed in 1953, marks a stylistic turning point in the musical catalogue of Igor Stravinsky. The first movement is a sparkling and witty celebration of neoclassicism. Its dense, pristine counterpoint seems like a twentieth century retrofit of music from the Baroque and Classical periods. In the second and third movements, the […]
Bach’s Triple Concerto in A Minor, BWV 1044: The Art of Recycling January 10, 2022
J.S. Bach constructed the Concerto for Flute, Violin, and Harpsichord, BWV 1044 out of used parts. The outer movements were adapted from the Prelude and Fugue in A minor for solo harpsichord, BWV 894. The second movement was based on the Adagio e dolce from the Trio Sonata for Organ in D minor, BWV 527. It is likely that these two works dev […]
Remembering Dale Clevenger January 7, 2022
Dale Clevenger, the legendary principal horn player for the Chicago Symphony from 1966 to 2013, passed away on January 5. He was 81. Born in Chattanooga, Tennessee, Clevenger began playing the horn at the age of 13. Before joining the Chicago Symphony, he was a member of Leopold Stokowski’s American Symphony Orchestra and the Symphony of th […]