Studio Recital: December 17, 2013

Brahms’ Three Intermezzi, Op. 117: Autumnal Lullabies September 25, 2020
Composed in 1892, the three Intermezzi for solo piano, Op. 117 are among the final works of Johannes Brahms. Filled with wistful nostalgia, they were written two years after Brahms’ formal retirement at the age of 57. The critic Eduard Hanslick described these brief autumnal works as “monologues” of a “thoroughly personal and subjective cha […]
Schicksalslied (“Song of Destiny”): Brahms’ “Little Requiem” September 23, 2020
In the summer of 1868, while visiting his friend Albert Dietrich in the North German coastal town of Wilhelmshaven, Johannes Brahms was drawn to the poem, Hyperions Schicksalslied by Friedrich Hölderlin. Buried in the middle of a 1797 novel depicting the Greek mythical titan Hyperion, the poem’s two verses contrast the lives of eternally bl […]
Bach’s Sonata for Violin and Continuo in E Minor, Rachel Podger September 21, 2020
Sparks fly in the exhilarating Preludio which opens J.S. Bach’s Violin Sonata in E minor, BWV 1023. The solo violin unleashes a bold and virtuosic toccata over a mighty E pedal tone in the continuo bass. In many of Bach’s other sonatas, the violin enters into a supporting role with the harpsichord. Here, amid a torrent of bariolage (the alt […]
“Try to Remember”: The Autumnal Opening of “The Fantasticks” September 18, 2020
The world’s longest-running musical ran for 42 years and 17,162 performances, blocks away from the bright lights and glitter of Broadway’s Great White Way. The Fantasticks opened at the intimate Sullivan Street Playhouse in New York’s Greenwich Village on May 3, 1960. For the original production, $900 were spent on the set and $541 were spe […]
Bruckner’s Third Symphony: Vindicated by Time September 16, 2020
The premiere of Anton Bruckner’s Symphony No. 3 in D minor stands as one of music history’s most infamous disasters. The performance took place in Vienna on December 16, 1877. It was to have been conducted by Johann Herbeck, an Austrian maestro who had led the posthumous premiere of Schubert’s “Unfinished” Symphony in 1865. But Herbeck died […]
Mendelssohn’s Fourth String Quartet: The Passion and Lament of E Minor September 14, 2020
The key of E minor seems to have had special significance for Felix Mendelssohn. It opened the door to music filled with quiet anxiety, mystery, and haunting pathos. For example, consider the turbulent, windswept Romanticism of Mendelssohn’s song without words, the Albumblatt In E Minor, Op.117. Here, the pervasive melancholy of E minor is […]
“Le Secret”: Fauré’s Mystical Art Song September 11, 2020
Throughout Gabriel Fauré’s 1879 song, Le Secret, serene, hypnotically repeating chords in the piano toll like an immortal bell. We drift into a detached dreamscape which seems to anticipate the final, time-altering movement of Olivier Messiaen’s Quartet for the End of Time. The song’s text is a setting of Paul-Armand Silvestre’s poem, Myst […]