March, 2015 Community Performances

Here are a few photos from performances at Crossroads Art Center (March 20) and Richmond CenterStage (March 21) before a Richmond Symphony Lollipops family concert.

Latest Listeners’ Club Posts

New Release: RPO’s “American Rapture” Features Music of Higdon, Barber, and Harlin May 22, 2019

The Rochester Philharmonic Orchestra and Music Director Ward Stare have released a new album of American music on the Azica label. American Rapture contains two world premiere recordings—Jennifer Higdon’s Harp Concerto (2018) featuring the American harpist Yolanda Kondonassis, and Patrick Harlin’s Rapture (2011), an orchestral showpiece ins […]

“Siegfried’s Death and Funeral March”: Klaus Tennstedt and the LPO, Live in 1988 May 20, 2019

The final act of Götterdämmerung (“Twilight of the Gods”), the last of the four operas that make up Wagner’s Ring Cycle, is about annihilation and renewal. The gods are brought down by their desire for absolute power. As Todd Sullivan writes in his program notes, The whole world of the gods crumbles in Act III of Götterdämmerung. The long-a […]

Pavel Karmanov’s “Cambridge Music” for Piano Quartet: A Post-Minimalist Joyride May 17, 2019

The music of contemporary Russian composer Pavel Karmanov (b. 1970) falls loosely into a category known as post-minimalism. Influenced by the work of Steve Reich, Philip Glass, and others, this is music built on a strong, satisfying sense of pulse and a warm embrace of tonality. “Cambridge Music” for Piano Quartet, written in 2008, teems wi […]

Copland’s “Quiet City”: The Trumpet’s Mystic Call May 15, 2019

HARK, some wild trumpeter, some strange musician, Hovering unseen in air, vibrates capricious tunes to-night. I hear thee trumpeter, listening alert I catch thy notes, Now pouring, whirling like a tempest round me, Now low, subdued, now in the distance lost. – opening lines of “The Mystic Trumpeter,” Walt Whitman Aaron Copland’s Quiet City […]

Beth Levin Plays Beethoven’s Last Three Piano Sonatas May 13, 2019

Beethoven said that his final three piano sonatas, written between 1820 and 1822, were conceived “in a single breath.” In April, 2012, pianist Beth Levin gave what has been described as a “revelatory” performance of these three Sonatas (Op. 109, 110, and 111) in the intimate setting of New York’s Faust Harrison Pianos. Luckily, this specia […]

The Queen of the Night: Opera’s Most Deranged Mother? May 10, 2019

This weekend as you celebrate Mother’s Day, count your blessings that you aren’t in the predicament faced by Pamina in Mozart’s The Magic Flute. In one of the opera’s most recognizable arias, “Der Hölle Rache kocht in meinem Herzen“ (“Hell’s vengeance boils in my heart”), Pamina’s mother, the Queen of the Night, flies into a fit of vengeful […]

David Diamond’s Second Symphony: A Mid-Century American Masterwork May 8, 2019

Listeners who go in search of “the great American symphony” will be rewarded with a handful of often-neglected mid-twentieth century masterworks. They include the Third Symphonies of Aaron Copland and Roy Harris, the First Symphony of Samuel Barber, as well as music by Howard Hanson, Walter Piston, William Schuman, Peter Mennin, Lou Harriso […]