Next Stop, Berlin For Noah Bendix-Balgley

Noah Bendix-Balgley
Noah Bendix-Balgley

Last Friday we learned that Noah Bendix-Balgley, concertmaster of the Pittsburgh Symphony, won an audition for the position of first concertmaster with the Berlin Philharmonic. The news shows just how global the classical music world has become. Over the last decade, English conductor Simon Rattle has brought a fresh new approach to tradition-bound Berlin. When Rattle leaves in 2018, it will be interesting to see how the organization again attempts to balance tradition with innovation.

Here is an impressive clip of Noah Bendix-Balgley playing the virtuosic concertmaster solo from Richard Strauss’s Ein Heldenleben with the Pittsburgh Symphony. It’s hard to imagine anyone playing it better:

https://www.youtube.com/watch?v=2oTCqTdxgPI

And here he is playing the Romanian Dances by Bela Bartok with pianist David Allen Wehr:

Bendix-Balgley plays a 1732 Bergonzi violin which he talks about here.

The Road to Happiness in Music

Musician's SoulViolinist Holly Mulcahy has written an interesting and insightful post about finding happiness and keeping perspective while pursing a competitive career in music. Holly is the concertmaster of the Chattanooga Symphony and the author of the popular blog, Neo ClassicalIf you’re a young musician enduring the rigors of the audition circuit in the hopes of winning the “big job,” Holly’s post is a must read. Even if you’re not a musician, you’ll find her thoughts relevant.

Reading Holly’s post, I was reminded of this quote by Joseph Campbell, author of The Hero With a Thousand Faces and The Power of Myth:

[quote]If you do follow your bliss you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. Follow your bliss and don’t be afraid, and doors will open where you didn’t know they were going to be.[/quote]

James Jordan’s book The Musician’s Soul offers additional wisdom. The book stresses the importance of openness and vulnerability in the creative process as well as finding your center and appreciating the importance of solitude as well as community. There are many great quotes throughout the book. Here are a few:

[quote]If people are not humane, what is the use of rites? If people are not humane, what is the use of music?[/quote]

-Confucius

[quote]It takes courage to grow up and turn out to be who you really are.[/quote]

-e.e. cummings 

[quote]No pessimist ever discovered the secrets of the stars, or sailed to an uncharted land, or opened a new heaven to the human spirit.[/quote]

-Helen Keller

[quote]Our problems are inside our lives, yes; but our lives are lived inside fields of power, under the influence of others, in accordance with authority, subject to tyrannies. Moreover, our lives are lived inside fields of power that are our cities with their offices and cars, systems of work and mountains of trash. These too are powers impinging in our souls. When the wider world breaks down and is sick at heart, the individual suffers accordingly.[/quote]

-James Hillman 

[quote]Everyone thinks of changing the world, but no one thinks of changing himself.[/quote]

-Leo Tolstoy

The "Lipinski" Strad Has Been Recovered

This morning some great news came out of Milwaukee. The “Lipinski” Stradivarius, which was stolen from violinist Frank Almond following a concert on January 27, has been recovered and is in good condition. The three alleged thieves are in custody. Learn more details here.

It’s important that great violins are played, not just displayed behind glass. In fact, a violin needs to be played regularly to sound its best. Let’s hope audiences have the chance to hear the “Lipinski” Strad for many years to come.

Take a few moments and listen to the sound of this extraordinary violin:

The Violin: A Cross Between Art and Technology

violinist Frank Almond
violinist Frank Almond

Last week the music world was shocked by news of a well coordinated theft of the priceless 1715 “Lipinski” Stradivarius. The violin was on loan to Frank Almond, concertmaster of the Milwaukee Symphony Orchestra. Following a concert, the thieves used a stun gun to incapacitate Almond, who was not seriously injured. A $100,000 reward has been offered for information leading to the safe return of the instrument. You can read a statement from the violin’s owner at Almond’s website.

Last May I profiled A Violin’s Life, Frank Almond’s excellent recording featuring the “Lipinski” Strad. A Violin’s Life was an honorable project because it allowed the public to celebrate the sound and distinguished history of this extraordinary instrument. On some level, a work of art of this caliber belongs to all of us.

As musicians we develop deep emotional bonds with our instruments. We spend many hours together. We put in our energy and the violin gives back. The greatest violins offer up a seemingly endless array of tonal colors. Over time, the violinist has the joy of discovering what the instrument can do and how to draw the best sounds out.

As this open letter to the thieves states, it will be impossible for the violin to be sold for many years. This means, if not returned, it will probably sit in a vault unplayed. Besides its value as an investment, what good is an unplayed violin? We can only hope for a happy ending to this story.

Update: The “Lipinski” Strad Has Been Recovered

[typography font=”Cantarell” size=”28″ size_format=”px”]Art Meets Technology[/typography]

A great violin is both a technological tool and a work of art. The PBS documentary, Violin Masters: Two Gentleman of Cremona showcases history’s two most respected violin makers, Antonio Stradivari (1644-1737) and Giuseppe Guarneri del Gesù (1698-1744). The film highlights some of the aspects which make these violins so extraordinary as well as the differences between them (Strads are generally sweet while the Guarneri is known for a deep, rich chocolaty sound). Joshua Bell talks about his Strad in this clip.

[typography font=”Cantarell” size=”28″ size_format=”px”]Modern Violin Making[/typography]

Modern violin makers, known as luthiers, still copy the Strad and Guarneri models. No one has improved on this combination of dimensions, wood, varnish and craftsmanship. The “secret” regarding what makes these instruments so great also remains a mystery. This short film features a behind the scenes look at the work of Oregon luthier David Gusset:

[typography font=”Cantarell” size=”28″ size_format=”px”]The Red Violin[/typography]

The 1998 film The Red Violin offered a romantic view of the long life of a great violin. The movie’s score was written by American composer John Corigliano. Here is violinist Philippe Quint playing music from the film:

[quote]Every time I open my violin case and find this treasure inside, my heart jumps just a little bit. This 300-year-old artifact is the perfect unity of art and science, one of the most remarkable constructions made by a human being.[/quote]

-Joshua Bell (See this Strad Magazine interview).

"Alive Inside" Highlights the Power of Music

Alzheimer's patient, Henry Dryer reacts to the music of Cab Calloway.
Alzheimer’s patient Henry Dryer reacts to the music of Cab Calloway.

The new documentary film, Alive Inside: A Story of Music and Memory, debuts this week at the annual Sundance Film Festival in Park City, Utah. The film demonstrates the ability of music to awaken otherwise unresponsive Alzheimer’s patients, unlocking distant memories. It follows social worker Dan Cohen’s campaign to bring iPods and music therapy to nursing homes. The film is written, directed and produced by Michael Rossato-Bennett. Learn more about it here and here and keep an eye out for a screening in your area.

This film serves as a great reminder of the transcendent power of music. It’s hard to imagine a more worthy commitment than bringing music to young children and the elderly.

Remembering Claudio Abbado

Claudio AbbadoRenowned Italian conductor Claudio Abbado passed away yesterday at the age of 80. You can read about his life here.

The greatest conductors know exactly what they want the music to sound like. Through unwavering conviction, they inspire the musicians of the orchestra to share their vision. Great conductors don’t practice in front of a mirror to put on a show. Every gesture embodies the essence of the piece in an honest way. All of this is on display in this clip of Abbado rehearsing the Berlin Philharmonic:

Here is Abbado conducting Gustav Mahler’s Symphony No. 5. The orchestra is the Lucerne Festival Orchestra:

[ordered_list style=”decimal”]

  1. 0:55 – Traeurmarsch. In gemessenem Schritt. Streng. Wie ein
  2. 13:36 – Stürmisch bewegt. Mit grösster Vehemenz
  3. 28:20 – Scherzo. Kräftig, Nicht zu schnell
  4. 45:17 – Adagietto. Sehr langsam.
  5. 53:49 – Rondo-Finale. Allegro-Allegro giocoso. Frisch.

[/ordered_list]

[quote]Culture is a shared primary and, like water: theaters, libraries, museums, movie theaters are as many aqueducts.-Claudio Abbado[/quote]

Nutcracker Season

NutcrackerNutcracker season is in full swing here in Richmond. My orchestra, the Richmond Symphony, will perform Tchaikovsky’s Nutcracker thirteen times through December 23. Richmond Ballet’s long-term dedication to live music in the orchestra pit is commendable and elevates their already excellent productions. There is no replacement for the power and emotional punch of live music. Canned music has a “deadening” effect, while live music unleashes a creative energy which propels all other aspects of the production.

Challenges arise when you’re playing the same piece multiple times in a row. Physical and mental fatigue can set in on days when there are doubles. High decibel levels and close proximity in the orchestra pit can be painful. It’s also important to avoid going on “autopilot.” Professionalism requires that you deliver an equally exciting product in every performance, even if it’s the hundred millionth time.

When you can’t see the stage, you become increasingly aware of the drama unfolding in the music. In the moments before the clock strikes midnight, Tchaikovsky’s hushed music builds anticipation. A sudden key change and colorful splashes of harp tell us that we’ve transitioned into a magical new world. Squeaks and chirps suggest the scurrying mice. One characteristic unique to Tchaikovsky is his ability to generate intense excitement by pushing a repeated musical idea to its limit. Just when you think he can’t go any further, he takes it that one extra step. In The Nutcracker this is visually as well as musically represented with the growth of the Christmas tree. There are also moments, like the coda of the Waltz of the Flowers, where the feeling of established meter gets disrupted.

At its heart, E.T.A Hoffmann’s mythical story is about death (the toy Nutcracker is destroyed) and heroic and eternal rebirth. The hazy line between dream and reality permeates the story. As hard as it is to believe, The Nutcracker, which premiered in 1892, was not originally successful. Now it’s a glistening addition to the Christmas season in Richmond and beyond.

https://www.youtube.com/watch?v=clWKDT4TQIk&noredirect=1

Vibrating Strings

Have you ever wondered what a vibrating violin string looks like in slow motion? Here is an interesting demonstration from the Discovery Channel. Notice that the E and G strings are vibrating sympathetically with the bowed A and D strings.

As string players, our goal is always to draw the most resonant sound from the instrument. It’s possible for the bow to slip and slide on the surface, never fully catching the string and missing the deep, focused “core” of the sound. At the same time, pressing will dampen the natural vibrations of the string. The bow arm should remain relaxed and springy, with natural weight transferring into the string. The energetic flow of the bow is essential from the moment the bow is pulled or pushed. Imagine the sound you want to produce and then listen carefully as you play. Continue to strive for a better tone every day.

[typography font=”Cantarell” size=”28″ size_format=”px”]Is the entire universe vibrating strings?[/typography]

Dr. Micho Kaku, who works in string theory, thinks so and offers interesting ideas in this Big Think talk. NOVA’s Elegant Universe: Resonance in Strings explains the theory further.