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Latest Listeners’ Club Posts

Dvořák’s “Rusalka”: Four Key Excerpts April 24, 2024

First performed on March 31, 1901 in Prague, Antonín Dvořák’s enduring fairytale opera in three acts, Rusalka, Op. 114, blends Slavic mythology with the story of Hans Christian Andersen’s The Little Mermaid . Rusalka is a water nymph who falls in love with a human—a Prince who happens one day to swim in her lake. She tells her father, the w […]

Remembering Sir Andrew Davis April 22, 2024

Sir Andrew Davis, the renowned English conductor, passed away on April 20 following a brief battle with leukemia. He was 80. Davis served as music director of the Toronto Symphony Orchestra from 1975 to 1988, and later as chief conductor of the Melbourne Symphony Orchestra (2013–2019). From 1989 until 2000, he led the BBC Symphony Orchestra […]

Mozart’s Symphony No. 27 in G Major: Salzburg Sunshine April 19, 2024

Symphony No. 27 in G Major, K. 199 is sunny, youthful music of the 17-year-old Mozart. Completed in April of 1773, it is among a group of four symphonies Mozart wrote after returning home to Salzburg following his second trip to Italy. (His opera, Lucio Silla, was being performed in Milan). Two months later, Mozart and his father would set […]

Stravinsky’s Concerto in E-flat, “Dumbarton Oaks”: A Sparkling Neoclassical Dialogue April 17, 2024

The riot-inducing 1913 premiere of Igor Stravinsky’s primal ballet score, The Rite of Spring, changed the course of 20th century music. Yet, ultimately, it was an artistic one-off. The final, cacophonous notes of the Sacrificial Dance faded away, and soon, with the 1920 ballet score for Pulcinella, Stravinsky’s style took another sharp and […]

Brahms’ Trio in E-flat Major for Horn, Violin, and Piano: Music of Nature April 15, 2024

In May of 1865, following the death of his beloved mother Christiane three months earlier, Johannes Brahms retreated to the picturesque seclusion of Baden-Baden in Germany’s Black Forest. It was here that Brahms composed his Trio in E-flat Major for Horn, Violin, and Piano, Op. 40. He worked in a room which, in his words, “looks out on thre […]

Michael Torke’s “Unseen” (No. 5): A Shifting Kaleidoscope April 12, 2024

Last month, we listened to the first single from Unseen, the newest work of American composer Michael Torke. The piece, scored for orchestra, unfolds in nine brief movements, and continues in the direction of Torke’s recent groove-based chamber works, Being (2020), Psalms and Canticles (2021), and Time (2022). The complete album for Unseen […]

Brahms’ Academic Festival Overture: A Witty Musical “Thank You” April 10, 2024

In 1879, the University of Breslau in Prussia (now Wrocław, Poland) awarded Johannes Brahms an honorary doctorate in philosophy. The acclaimed composer, who never attended college, had little use for academic titles. When Cambridge University attempted to bestow a similar honor three years earlier, Brahms declined, forgoing lionization and […]