Skip to content
Timothy Judd, Suzuki Violin Lessons
Timothy Judd, Suzuki Violin Lessons
  • Lessons
  • Performance Photos
  • Bio
  • The Listeners’ Club
  • Links
  • Media
  • Contact
  • Lesson Payments

Learn about Timothy Judd's violin studio in Richmond, Virginia

Studio Snapshots: A portfolio of Suzuki violin in Richmond

Join the Listeners' Club!

Chamber Music for All Occasions

Registration has been disabled.

Latest Listeners’ Club Posts

  • Hanson’s “Romantic” Second Symphony: A Cinematic, Cyclic Journey July 6, 2022
    The American composer, Howard Hanson, was born in 1896 in the small Nebraska prairie town of Wahoo. Hanson served as the director of the Eastman School of Music for 40 years, beginning in 1924. In the middle of the twentieth century, his influence was so great that he was hailed as the “Dean of American Composers and spokesman for music in […]
  • Randall Thompson’s “Alleluia”: A Prayerful Fanfare July 4, 2022
    The American composer Randall Thompson (1899–1984) composed his famous Alleluia over the course of five days at the beginning of July, 1940. The work for a cappella chorus was first performed on July 8th of that year for the formal opening of the Berkshire Music Center (now the Tanglewood Music Center). Serge Koussevitsky, the festival’s fo […]
  • Wagner’s “Rienzi” Overture: A Glorious Remnant of Youthful Indiscretion July 1, 2022
    In his later years, Richard Wagner dismissed his five-act opera, Rienzi, the Last of the Tribunes, as a “youthful sin.” Completed in 1840 when the composer was 27 years old, Rienzi stands in stark contrast with Wagner’s mature work. It was elaborately conceived as Grand Opera in the tradition of Meyerbeer. Wagner’s megalomaniacal intention […]
  • Korngold’s Five Songs, Op. 38: From Film Music to Lied June 29, 2022
    Erich Wolfgang Korngold was one of the twentieth century’s great composers of melody. We hear this in the dramatic music of Korngold’s 1920 opera, Die tote Stadt (“The Dead City), as well as in the soaring Hollywood film scores which followed. Additionally, Korngold was a clever musical recycler. Rich melodies, which were scattered througho […]
  • Korngold’s “The Sea Hawk”: Excerpts from the Film Score June 27, 2022
    With the music of Erich Wolfgang Korngold (1897-1957), Viennese Romanticism faded into a rich, shimmering twilight. As a child prodigy, Korngold attracted the attention of Gustav Mahler (who declared him a “musical genius”) and of Richard Strauss. Der Schneemann (“The Snowman”), a ballet Korngold composed at the age of 11, became a sensatio […]
  • Borodin’s Second Symphony: Solemn, Celebratory, Heroic June 24, 2022
    Alexander Borodin (1833-1887), the great Russian Romanticist, once said, “I’m a composer in search of oblivion; I’m always slightly ashamed to admit I compose.” By day, Borodin was a brilliant research chemist and a distinguished professor at the Medico-Surgical Academy in St. Petersburg. When he was not passionately investigating aldehydes […]
  • Prokofiev’s Cello Sonata in C Major: Triumph Over Censorship June 22, 2022
    In the years following the Second World War, Stalin’s “propagandist-in-chief,” Andrei Zhdanov, drafted a series of resolutions that were designed to censor Soviet art, literature, film, and music. All art had to adhere to the ideals of Soviet “socialist realism.” The Zhdanov Doctrine proclaimed that “The only conflict that is possible in So […]
© 2022 Timothy Judd. All rights reserved.
  • Lessons
  • Performance Photos
  • Bio
  • The Listeners’ Club
  • Links
  • Media
  • Contact
  • Lesson Payments