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Timothy Judd, Suzuki Violin Lessons
Timothy Judd, Suzuki Violin Lessons
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Latest Listeners’ Club Posts

  • Wagner’s “Rienzi” Overture: A Glorious Remnant of Youthful Indiscretion July 1, 2022
    In his later years, Richard Wagner dismissed his five-act opera, Rienzi, the Last of the Tribunes, as a “youthful sin.” Completed in 1840 when the composer was 27 years old, Rienzi stands in stark contrast with Wagner’s mature work. It was elaborately conceived as Grand Opera in the tradition of Meyerbeer. Wagner’s megalomaniacal intention […]
  • Korngold’s Five Songs, Op. 38: From Film Music to Lied June 29, 2022
    Erich Wolfgang Korngold was one of the twentieth century’s great composers of melody. We hear this in the dramatic music of Korngold’s 1920 opera, Die tote Stadt (“The Dead City), as well as in the soaring Hollywood film scores which followed. Additionally, Korngold was a clever musical recycler. Rich melodies, which were scattered througho […]
  • Korngold’s “The Sea Hawk”: Excerpts from the Film Score June 27, 2022
    With the music of Erich Wolfgang Korngold (1897-1957), Viennese Romanticism faded into a rich, shimmering twilight. As a child prodigy, Korngold attracted the attention of Gustav Mahler (who declared him a “musical genius”) and of Richard Strauss. Der Schneemann (“The Snowman”), a ballet Korngold composed at the age of 11, became a sensatio […]
  • Borodin’s Second Symphony: Solemn, Celebratory, Heroic June 24, 2022
    Alexander Borodin (1833-1887), the great Russian Romanticist, once said, “I’m a composer in search of oblivion; I’m always slightly ashamed to admit I compose.” By day, Borodin was a brilliant research chemist and a distinguished professor at the Medico-Surgical Academy in St. Petersburg. When he was not passionately investigating aldehydes […]
  • Prokofiev’s Cello Sonata in C Major: Triumph Over Censorship June 22, 2022
    In the years following the Second World War, Stalin’s “propagandist-in-chief,” Andrei Zhdanov, drafted a series of resolutions that were designed to censor Soviet art, literature, film, and music. All art had to adhere to the ideals of Soviet “socialist realism.” The Zhdanov Doctrine proclaimed that “The only conflict that is possible in So […]
  • Stravinsky’s “Mavra”: A Neoclassical Comic Opera in One Act June 20, 2022
    Igor Stravinsky’s one act comic opera, Mavra, is delightfully intimate, colorful, and whimsical. Unfolding in a mere 30 minutes, the opera features two arias, a duet, and a quartet, performed by a cast of four characters. Based on Alexander Pushkin’s poem, The Little House in Kolomna, it has been described as a “satire of petit-bourgeois ma […]
  • Christopher O’Riley Meets Radiohead: “Fake Plastic Trees” June 17, 2022
    The American pianist Christopher O’Riley discovered the music of Radiohead in 1997 with the release of the British alternative rock band’s landmark third studio album, OK Computer. Immediately, O’Riley was drawn to the songs’ sophisticated counterpoint and “sensual harmonies that you’d find in Ravel, a harmony, a chord that makes your hair […]
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  • Lessons
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  • Bio
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